The Chimera Ensemble will perform Grotesques in their online concert at 7:45 pm
N E W S
I'm delighted with Paul Conway's 5* review in Musical Opinion for Duncan Honeybourne's new CD of piano music composed during lockdown: 'David Lancaster's Angelus was inspired by a poem of the same name by Bret Harte that features 'bells of the past, whose long-forgotten music still fills the wide expanse'. This introspective, directly communicative music perfectly captures confinement's slow passage of time'. Contemporary Piano Soundbites is available from Prima Facie recordings. (22.12.20)
The Chimera Ensemble will perform Grotesques (for woodwind quartet) as part of their online evening concert on Friday 27th November 2020 at 7.45 p.m. Please join them at (23.11.20)
Really thrilled today to receive copies of Duncan Honeybourne's new Contemporary Piano Soundbites in the post. This follows on from Duncan's lockdown project in which he commissioned new pieces to perform online from his home, including my Angelus, which appears on the CD. It's a beautifully produced recording on the Prima Facie label. (7.11.20)
Charles Hutchinson has written a very nice article about my work on the Eclipse project, and a composer's work during lockdown for his online magazine CharlesHutchpress. It's well worth subscribing if you follow the arts in and around York. (1.10.20)
There's a lovely article on the Cross-Eyed Pianist blogabout Duncan Honeybourne's new CD recording, which includes Angelus. (1.10.20)
Piano soloist Duncan Honeybourne commissioned Angelus as part of his online 'Contemporary Piano Soundbites' series. Duncan has now recorded it, and it will be released on CD (and online) by Prima Facie Records on 6th November. Follow this linkfor further details and pre-orders. (25.9.20)
Tonight sees the first performance of Eclipse, for brass, which was commissioned by Harrogate International Festival at the start of the UK lockdown, and which has been recorded remotely by 120 musicians from all around the world ahead of tonight's performance on the HIF website. This exciting project has generated a great deal of interest, and I've been invited to speak about it on BBC World Service and BBC Radio 4, along with several local radio stations. Trumpet virtuoso Mike Lovatt recorded a specially-composed solo line which provides a thrilling ending! The pandemic is obviously proving a very difficult time for brass players, so I was pleased to be able to write something that enabled people to come together for a performance, if only from a distance, and I hope that we'll be able to repeat the piece, live and in front of an audience, when the Harrogate Festival returns next year. I've written more about Eclipse in my blog. (24.7.20)
A second online performance for Angelus! American pianist Francesca Hurst performed my piano miniature as part of her 'Daily Dose of Piano' sequence. It's a beautiful, sensitively controlled performance, and you can hear it here. (12.5.20)
Rough Cut was first performed by Peter Sheppard Skarvaed in York and London in 2016, and he gave an online performance on 10th May 2020 during the lockdown, as part of a survey of the many composers he has worked with. Oddly enough this piece was due to be performed in concert on 6th June (now postponed, of course) so this was a very opportune moment for Peter to revisit this piece. Here's the link to his performance. (11.5.20)
Duncan Honeybourne invited me to compose something for his Contemporary Soundbites series, and he gave the first performance of Angelus as the first part of that project. Duncan plans to perform these new works in concert (as soon as concert activity can resume) and make a CD recording of the pieces he has commissioned during the pandemic. Hear it here. (1.5.20)
Congratulations to Delta Saxophone Quartet for another fine performance of Rendez-vous in York, to open the 2020 Late Music concert series. I was delighted with the performance and the enthusiastic reception! They have recently recorded Rendez-vous, and I can't wait to hear the studio version. (9.3.20)
After a long time in preparation I'm delighted to announce that Song of Light is available in a new anthology published by the Royal School of Church Music. It's a collection of ten anthems for sopranos, altos and unison male voices, intended for smaller choirs (but suitable for all!). It's available from the RSCM shop and it's already one of their best sellers! (5.3.20)
I was very surprised to hear Another Field in a concert at YSJU on Thursday evening - I had no idea it was in the programme! But thanks to Faye Robinson and Hannah Fruin for a super performance! (14.2.20)
My music returned to Charterhouse School in January, when the Kaleidoscope Saxophone Quartet performed Swan in their recital there. Back in the 1980s I was Composer-in-Residence at Charterhouse for three very happy years, supported by the RVW Trust: RVW had been a pupil at the school and their music centre is named after him. (10.1.20)
We had a wild, wet and windy time in Cornwall on Saturday, where the Delta Sax Quartet performed Swan and Rendez-vous in their programme at Calstock Arts Centre - a fabulous venue with lots of local support. Next stop Soho! (29.12.19)
Thanks once again to the Delta Sax Quartet for an energetic performance of Swan at the inaugural Festival of the Sky in Cleethorpes last night. It was great to be a part of such an amazing event! (7.9.19)
It's always good when a new ensemble takes a piece and makes it part of their programme: the Kaleidoscope Saxophone Quartet performed Swan today, as part of the Summer Festival at St Lawrence Jewry, London, and they will be performing it again at in their concert at St Johns, Smith Square in September. (6.8.19)
The last few months have been a whirlwind of activity, with more than twenty performances of my pieces since the beginning of May, from York to Sicily, including many premieres but also a large number of repeat performances, which are also very gratifying since second performances are sometimes much harder to come by! Thanks must go to all of the performers and promoters who have made this happen. It won't always be as busy as this but thankfully there are still many exciting things to come: more details here very soon. (12.7.19)
One fabulous weekend: on Friday evening the Delta Sax Quartetperformed Rendez-vous in Hadleigh, Essex, then on Saturday Il Cor Tristo gave the first performance of Porta dell Inferno at Late Music in York, as part of a fabulous Dante-themed programme. On Sunday the charismatic Chris Bartram directed Soon Amore a capella choirin the premiere of my Durham Proverbs in a wonderful concert in York Cemetery Chapel(!). If only all weekends could be like this! (8.7.19)
Sincere thanks to Sarah Redgwick (soprano) , Robert Secret (conductor), the Orchestra of Stowe Opera and the Oxford Harmonic Choir for a thrilling - and at times deeply moving - premiere of my piece 'Of Trumpets and Angels' in Oxford Town Hall on Saturday. This has been a huge project, spanning over a year, and the performance provided a fitting climax. I was delighted by the audience's enthusiastic response and hope it isn't too long before we can do it all over again! (2.7.19)
My first piece of film music turned out rather well, thanks mainly to the expertise of the Delta Sax Quartet who gave the first performance of Rendez-vous in Leeds on Friday evening: silent film with loud, live music. It's a breathless ride that had the audience gripping their seats right to the end! (23.6.19)
Tuesday 18th June is a day of piano music! At lunchtime Josephine Peach will play From New York to Bedlam and the third of my Burlesques in a recital at Wakefield Cathedral, and James Willshire will perform Snow/Dance in his lecture recital at University of York (4:00 pm). (14.6.19)
Thanks to Steve Bingham and the Bingham String Quartet for a very sensitive and moving performance of Vestigium at Late Music on Saturday 1st June. It marks the start of a very busy couple of months, with a dozen or so performancestaking place: next up are two performances of Swan in Sicily, given by the Delta Saxophone Quartet.
June looks even more exciting with the news that the Delta Sax Quartet are also going to include Swan in their concert tribute to Steve Martland in Sicily; it's on 10th June 2019 at the Auditorium Steve Martland, Instituto Musicale Pietro Vinci, Caltagirone. Along with the upcoming performances in Oxford, Leeds and York (x2) it adds up to a busy schedule for this composer! (27.5.19)
June 2019 is set to be one of the busiest months, with no fewer than three major first performances: 1st June sees the premiere of Vestigium, the latest in my cycle of string quartets, to be given by the Bingham String Quartet at Late Music in York. On 21st June you can see and hear my music for Rendez-vous for the first time, performed - with film - by the Delta Saxophone Quartet in Leeds. And then on 29th there's Of Trumpets and Angels for soprano, choir and orchestra in Oxford Town Hall, given by the Oxford Harmonic Choir. And there's a second performance of Snow/Dance in York too on 18th! (13.5.19)
Thanks to the Dr K Sextet for a very fine performance of Strike at Late Music on Saturday, as part of their concert paying tribute to Oliver Knussen. I stepped in to give the pre-concert talk and spoke about the influence of film editing on my music and in particular the influence of Eisenstein. (6.5.19)
Two performances in two days! Josephine Peach (piano) included my Burlesque No. 3 in her solo recitals in Doncaster and Ripon this week. The programmes were based around the music of J.S. Bach to commemorate his birthday, so my piece was in exalted company. (28.3.19)
Clarinettist Zoe Fagerhaug gave a superb performance of Jump Cut at the Kulas Hall, Cleveland, Ohio on Saturday - the US premiere! (26.3.19)
Thanks to the Delta Saxophone Quartet for another super performance of Swan at the Turner Sims Concert Hall, Southampton last Friday. (1.3.19)
In a collaboration with artist Christina Kolaiti, singer Emily Rowan and dancer Dora Frankel, my new piece Phase Synchrony for voice, live electronics and dancer will be performed during the Metafora project at St Peter's School, York, on Thursday 28th February. For more information about this fascinating event please check the Eventbrite page. (20.2.19)
In June, my new piece for the Oxford Harmonic Choir - Of Trumpets and Angels - will receive its first performance in Oxford Town Hall; there's an interview about this piece on the choir's website: read it here. (1.2.19)
I am delighted to announce that my future compositions (and a number of my existing pieces) will be published by UYMP, who have signed me as a 'house composer' from 2019 onwards. This is the realisation of a long-held ambition and I look forward to working more closely with such an exciting and prestigious publisher of new music. Read the full announcement here. (20.1.19)
I must say a huge thank you to everyone who has contributed to what has been a busy, productive and successful year of music: 2018 has had so many wonderful highlights. I've tried to capture some of them in today's blog entry. All best wishes for 2019. (31.12.18)
Huge thanks to the Juice Vocal Ensemble who not only recorded my Confound Winter on their fabulous new Snow Queens album, but they took it on tour all around the country in December - I heard it in London and York. Super performances every time! (24.12.18)
Thanks to the Delta Saxophone Quartet for a dazzling performance of Swan at the RNCM Sax Day last Sunday, in front of a sell-out audience. Here's to the next time! (7.11.18)
Out now: the fabulous Juice Vocal Ensemble have just released their new 'Snow Queens' album, which includes my piece Confound Winter along with wintry music by a plethora of exciting composers. Buy your CD from hereand solve all those Christmas present problems in a stroke. (2.11.18)
Following a stunning performance of the dramatic monodrama Tlatelolco on Saturday 6 October at Late Music, I spent the Sunday working with performers to develop a new piece for clarinet choir: Gothique was workshopped at the Darlington Clarinet Ensemble's annual Play Day, and the DSE will perform the completed piece at one of their concerts in 2019. Then on the Monday evening I directed the final rehearsal for the next performance of Transit of Venus, to be performed at Selby Abbey on Wednesday. It's good to be busy... (9.10.18)
Mystery still surrounds the massacre which took place at Tlatelolco, Mexico, on 2nd October 1968. Many details - even including the number of victims - remain unknown. Marcela del Rio's epic poetry re-tells the narrative of this tragic event from three different perspectives, all of which will be delivered by soprano Anna Snow in the performance at Late Music, York, on 2nd October. (29.9.18)
Pianist James Willshire gave a definitive performance of Snow/Dance at late Music on 1st September, as part of the excellent 'Ten New Debussys' project. I'm sure that all composers involved are hoping that this tribute to Claude Debussy can be committed to CD before too long! (5.9.18)
My contribution to the fabulous 'Meet the Artist' blog, created by Frances Wilson. It's a real honour to be included alongside so many distinguished composers and performers. Warning: this is addictive and reading the many fascinating entries could steal hours of your life! (21.8.18)
We're thrilled to announce that Swan will be performed by the Delta Saxophone Quartet in their programme at the RNCM Saxophone Day on 4th November 2018: the UK's largest saxophone gathering. Tickets for the event - in the RNCM's Concert Hall - are available via the link above. (14.8.18)
Music of a Thousand Breaths based on the medieval 'frescoes' at Pickering Church will be performed - in the church, surrounded by the vivid, timeless images - on Saturday 21 July 2018. This work is part of a major collaboration with poet Abi Curtis and is scored for five voices, four instrumentalists, dancer and electronic soundscape. The new music will be interspersed with choral music of the renaissance. More details and tickets available here.
Another double bar line has been achieved this week! I've just completed Snow/Dance, - based on Debussy's 'The Snow is Dancing' - for a concert which will commemorate the 100th anniversary of the composer's death in 1918. The brief: to start with a minute of a piano solo by Debussy then transform it into a five-minute original piece in my own musical language. It's been a fascinating process and I can't wait to hear James Willshire perform it at Late Music in September. (15.6.18)
Great to learn that Delta Sax Quartet will be performing Swan in London, during their programme at Alleyn's International Series on 19th June 2018.
American clarinetist Emily Mehigh has set herself the challenge of performing and recording one new solo work every day in May, and she has chosen to include my Jump Cut in her programme. Keep your eye on her You Tube channel to hear her in action!
The Delta Sax Quartet's fantastic 'Bowie, Berlin and Beyond' CD which includes my Swan has been played on Radio 3's Late Junction and other radio stations from the USA to Australia in the last few weeks - it's having a huge impact and taking my music to places it's never been before! And copies are now available for those - like me - who prefer CDs to downloads or streaming. Here's a link to the CD shop! (18.4.18)
There were two stunning performances in one day at York Late Music on 7th April: my Trakl Songs were performed in their entirety for the first time by the Fairfax Ensemble in the afternoon, and then Grotesques received a brilliant premiere performance from the Atea Wind Quintet in the evening. The York Press critic wrote 'I can’t remember when I have enjoyed a day of new music more'. One delighted composer! (16.4.18)
Big thanks go to the Delta Saxophone Quartet for a fabulous performance of Swan on 3rd March, and also for their excellent recording, on the CD Bowie, Berlin and Beyond, now available to buy! (7.3.18)
I am delighted to announce that I have been selected to compose a new piece for choir and orchestra, commissioned by the Oxford Harmonic Choir, to be performed along with Mozart's Requiem in June 2019. The new piece will be a setting of two of John Donne's Holy Sonnets; I am very honoured to be asked, and just can't wait to get started! (11.2.18)
Having students perform my pieces is the greatest honour and thrill, so I am so very pleased that Zoe Fagerhaug, a visiting student from USA, is performing my Jump Cut, for solo clarinet, on Thursday 8th Feb, in our first evening concert of 2018 at YSJ. (6.2.18)
I am very pleased to say that I have been granted a research award by York St John University to enable me to realise a new piece for brass and voices, based on the amazing medieval 'frescoes' at the church in Pickering. My friend and colleague Abi Curtishas written powerful words to give voice to the characters in the paintings, and I am negotiating with film makers and dancers to fulfill my ambitions for the work. The performance will take place - in the church, surrounded by those dramatic images - on Saturday 21st July 2018. Details to follow. Here's a link to the pictures. (25.1.18)
Full details of all my compositions have now been added to this website, to augment the selected recordings which have been available for some time. You can find the lists on the relevant pages via the Music/ menu above. (30.12.17)
The British Music Collection celebrated its 50th birthday in 2017 - this fabulous resource used to be housed in the British Music Information Centre in London where I was once a regular visitor but it now resides at Huddersfield University and is available online. Here's my composer page.
The Delta Saxophone Quartet have just emerged from the studio, where they've been busy recording an amazing new CD which includes my Swan. The release date is set for March 2018 - can't wait!
Loved hearing Jenni Cohen performing the flute solo (whose title is almost longer then the piece!) Long After Tonight is All Over, in a fabulous lunchtime concert on 7th October. Such an atmospheric performance. (15.10.17)
PercusSing gave two very moving performances of Gentle in September, firstly in Reepham Parish Church on 4th September, and then as part of Lincolnshire International Chamber Music Series in Lincoln's Drill Hall on the 5th. (6.9.17)
Many thanks to Peyee Chen and Kate Ledger for a wonderful premiere performance of Dark Gate at Late Music on Saturday. I have written a few words about the poet, David Vogel, in a recent blog entry here. (5.8.17)
Breaking News! The fantastic Slidin' About trombone quartet will be giving a repeat performance of Rude Mechanicals at Hyde Town Hall this Friday (23rd June 2017) at 1:00 pm. (20.6.17)
If you are in York on Saturday 1st July then you must come along to hear the fabulous PercusSing duo in concert; they will be launching a new CD that day which includes their breathtaking performance of Gentle - and I can't wait to hear it! (1.6.17)
I was delighted to be invited to speak about Apocalypse and to introduce a recorded performance at the Speculative Futures conference at York St John University yesterday, and very pleased by the warm response. Although speaking about religion, history and narrative to a hall full of academic theologians, historians and literature specialists was just a little daunting! (23.5.17)
My short brass quintet Jump! has been programmed for inclusion in the prestigious Ryedale Festival this year, where it will be performed by the York Brass Quintet on 17th July. More info. (16.4.17)
Thanks to Rosalind Ventris (viola) and James Willshire (piano) for a stunning performance of the Six Downie Nocturnes in York on 1st April - a truly breathtaking performance in a wonderful concert for Late Music. (2.5.17)
Rosalind Ventris gave the first performance of Six Downie Nocturnes backin 2013, six months after Martin Downie's untimely death. Rosalind returns to York on April 1st to give a welcome repeat performance, with James Willshire (piano), as part of York's Late Music concert series. Full details here. (15.3.17)
February is turning out to be a busy month, with two pieces performed on 9th (Short Stay is included in the programme of the Fairfax Ensemble in their lunchtime concert at Bootham School, York) and a repeat performance of After Ophelia given by cellist Francesca McDonald in an evening concert at YSJ University. Then on Tuesday 21st February - in a lunchtime concert at YSJ - the Slidin' About trombone quartet will give the first performance of Rude Mechanicals. (2.2.17)
Happy New Year! I have just added a new blog entry with a short review of 2016 and a few thoughts on the year to come... (8.1.17)
I was thrilled to attend the first performance of Confound Winter which was given by the amazing Juice Vocal Ensemble in their 'Snow Queens' concert at St Paul's Church, Clapham on Friday evening. This is a short setting of wonderful wintery words by Tess Kincaid, and was written especially for Juice. (4.12.16)
Most of November has been spent working on a new piece for the Slidin' About Trombone Quartet but it's now complete and the parts are in the post to the players! Rude Mechanicals will be performed and recorded by this fabulously talented quartet early in 2017. (20.11.16)
There's a very exciting concert at the end of November: not only will the Orichacum Brass Quintet be giving the second performance of Breathless they will be joining the fabulous Granny Green Trio to present the premiere of Melding Brass, newly commissioned for the occasion. It all takes places at Settle Victoria Hall at 7:30 on Sunday 27th November. Details here. (13.11.16)
It was so good to be able to conduct the Kippax Band in a performance of my Turquoise in Wetherby yesterday. (13.11.16)
Enjoyed an afternoon in Doncaster to hear the Fairfax Ensemble perform two pieces: Another Field and Gentle, both of which set words by Rumi. The concert took place in the serene setting of the Museum/Art Gallery complex. (2.11.16)
I'm very pleased to have been asked to compose a new piece for the fabulous trombone quartet Slidin' About which will be recorded for their forthcoming CD early in 2017. (7.10.16)
My good friends the Fairfax Ensemble have just begun a tour featuring a wonderful selection of pieces by British composers old and new, including my Trakl Songs which were written especially for these concerts. The first performance took place in the magnificent setting of Ripon Cathedral last Thursday; the next in Langwith College, University of York, on 21st October. (6.10.16)
A challenge: I've been commissioned to compose a new piece for the amazing Granny Green folk trio and my friends the Orichalcum Brass Quintet, who performed Breathless earlier in the year. The new piece will receive its first performance at the beautiful Victoria Hall, Settle, on 27th November, and Breathlesswill also be included in the programme that evening. The venue is particularly special: an authentic Victorian music hall dating from 1853. (1.9.16)
I was very pleased to discover that Strata has been included on the Resonate project database; this has been compiled by the Association of British Orchestras and PRS to encourage further performances of recent orchestral music. Full details here. (16.7.16)
Breathless, my new brass quintet, was inspired by the sculpture of the same name by Cornelia Parker which comprises some fifty brass instruments which have been compressed and hung between two floors at the V&A, symbolising the (perceived) death of the brass band, perhaps. But there was nothing flat about the first performance given by Orichalcum Brass Quintet earlier this month; in fact the York Press described it as 'a crafty piece, both exciting and intriguing'. My thanks to Orichalcum for such a committed and sensitive performance. (15.7.16)
There are so many things we still don't know about the massacre which took place at Tlatelolco, Mexico, on 2nd October 1968: even eye witness accounts differ and the number of dead and injured remains a mystery to this day. Marcela Del Rios captures something of that mystery in her poem of the same name, which I set to music in Victoria Carpenter's fine translation. Soprano Anna Snow gave a stunning premiere in York's Festival of Ideas last weekend (11.6.16), clearly differentiating the three distinct voices of the text;
accompaniment was provided by a remarkable ensemble of cor anglais, bass trombone and marimba. Other performances of Tlatelolco are in the pipeline - please keep an eye out here. (14.6.16)
I first heard the Albany Piano Trio in 2015 and was immediately impressed by their commitment and vision; when I had the opportunity to compose for them I leapt at the chance and Hiraeth received its premiere - given by the Albany Trio - at Late Music on 2nd April. They gave a detailed, meticulous performance which fully captured the essence of the music, and the long final elegy was spine tingling, for me at least! (12.4.16)
Last year I was delighted when Peter Sheppard Skaerved chose to include my Rough Cutin his solo recital in York. The piece has since been published by UYMP, and so I ws thrilled when Peter offered to give the London premiere at Wilton's Music Hall, a magical performance which took place on 14th February in front of a large and enthusiastic audience. I am currently developing an expanded version of Rough Cut for violin and nine solo strings - watch this space! P.S: Wilton's is an amazing space with a superb acoustic - don't miss an opportunity to visit! (16.2.16)
I enjoyed a fabulous couple of days in Copenhagen where the Danish Radio Vocal Ensemble gave three performances of Apocalypse, one at the radio station's own stunning concert hall and the others in the splendid baroque Christian's Church. The choir is an outstanding group which produced a truly magical performance which I will remember for a very long time! Thanks to Robert Hollingworth for his brilliant, insightful direction and for designing a unique, breathtaking programme. The whole concert was streamed online by DR and remains available here. (10.2.16)
Two romantic things to do on Valentine's Day: 1. visit Coastival in Scarborough where Bedlam brass quinet will be playing Jump in their lunchtime concert at the Rotunda; 2. come along to Wilton's Music Hall to hear Peter Sheppard Skaerved give the London premiere of Rough Cut at 6pm. Feeling the love! (29.1.16)
Plans for 2016 are already well under way and it looks like being another very busy year. In February, violinist Peter Sheppard Skarvaed will give the first public performance of Rough Cut at Wilton's Music Hall, London, and there will be three performances of Apocalypse in Frederiksværk and Copenhagen given by the Danish National Vocal Ensemble. May will include the premiere of Hiraeth by the Albany Piano Trio and in July Breathless will be performed in York by the Orichalcum Brass Quintet. And two new recordings should appear during the year, one of songs and piano music and another including Strata, recorded in June 2015 by the Brno Philharmonic.
Thanks to everyone who has played, sung, conducted, recorded, promoted or published my music this year, and to all those who have listened! Sending all best wishes for 2016.
And a big hello to Jim Stretton who will feature Holly (for trombone and piano) once again in his 'Brassy Christmas' tour. There will be five performances in Wark, Cotherstone, St John's Chapel, Head's Nook and Norham between 15 - 19 December. Jim and Iain Jackson must have given more than 50 performances of Holly in recent years - probably my most-performed piece! (15.12.15)
The final first performance of the 2015 was of my piece for band and electronic backing (prepared by Andy Devine). Public Order was commissioned by the YSJU Concert Band and performed by them on 8 December. The title refers to the 1994 Public Order Act which gave police the powers to arrest people who met in groups of 20 or more to listen to music 'characterised by a repetitive beat.' It was a vivid and energetic performance featuring Emily Rowan reading words from the Act through a megaphone... (10.12.15)
Next week sees three performances in two days: followingVespertineat NCEM on 11 November, Batubulan (for solo piano) will recieve its premiere, given by Jin Hyung Lim at the Jack Lyons Concert Hall at lunchtime on 12 November, followed by an evening performance ofArt of War(mezzo, oboe and bass trombone) at York St John University! (1.11.15)
Exciting news! The Danish National Vocal Ensemble will be giving three performances of Apocalypse in Copenhagen - and a live radio broadcast - in early February 2016. Keep an eye on this space for further information. (25.10.15)
Rough Cut for solo violin - which was first performed by Peter Sheppard Skaerved earlier this year - is to be published by the University of York Music Press. (1.9.15)
A couple of years ago a group of artists created the Vestiges multimedia installation which filled churches with art, film and music. The musical element has now taken on a life of its own: David Power has created a 'woodland remix' from our work which will be played during Festival 8 in Cabourne, Lincolnshire (UK) from 17-19 July, the first time it has been heard outdoors! (5.7.15)
Spent a glorious few days in the Czech Republic at the end of June, attending the recording ofStrata with the Brno Philharmonic conducted by Mikel Toms. This will be released on the Ablaze label later in the year. It was a great pleasure to work with Mikel Toms, the orchestra and producer Douglas Knehans on this project, and to explore the elegent city of Brno. (29.6.15)
Wonderful to learn that PercusSing (soprano Ana Beard Fernandez and percussinist Zoe Craven) are including my Gentle in their Late Music programme on 4th July. That's in the Unitarian Chapel, York at 13:00. (17.6.15)
I was reunited with violinist Peter Sheppard Skaerved on Tuesday 9th June, when he gave a scintillating first performance of my Rough Cut for solo violin in his recital at the National Centre for Early Music in York, following a national 'call for scores' from the Contemporary Music Research Centre. A fabulous premiere, and I'm looking forward to working again with Peter in the future. (10.6.15)
Next month I'll be visiting the Czech Republic when the Brno Philharmonic Orchestra is recording my Strata for release on the ABLAZE record label. I'm looking forward to working with the orchestra and conductor Mickel Toms - and maybe a glass or two of pivo! (30.5.15)
Enjoyed a fine evening in London as guests of the Lunar Sax Quartet who played Swan at the Gresham Centre on 9th May. A fine performance from a wonderful ensemble about to embark on their 10th anniversary tour. (11.5.15)
Don't be afraid to follow @davidcomposer on Twitter!
"Hi David, just to keep you in the loop, we’ll be performing your quartet - Swan - at Canterbury University a week tomorrow (25.4.15) as part of a saxophone day, in the presence of world renowned saxophonists John Harle and Evan Parker. Exciting stuff!" (18.5.15)
It's always great to get repeat performances from an ensemble who premiered your work, so I was delighted to learn that the excellent Lunar Sax Quartet will be giving further performances of Swan, starting off with a London concert on 9th May - see my Performance page for full details.
2015 got off to a busy start with two first performances in a matter of days: Benjamin Lindley and Jo Peach gave the first performance of Brodgar(for baritone and piano, to words by Andy Humphrey) at the launch event for this year's Late Music concert series on 28th Februray, then Emily Smith and Tim Brooks presented the premiere of another song Short Stay which was a collaboration with poet Antony Dunn, at the Sounds Lyrical event on 4th March. (6.3.15)
One of the best moments over Christmas was hearing Laura Attridge give the first performance of Snow for solo soprano (at St John's on 16th December) based on poetry by Edward Thomas - such a sensitive and atmospheric performance! (31.12.14)
The premiere of Passing, Fading, Forgetting took place on 4th September at City Screen Basement, York as part of an Arts Council funded collaboration between composers and poets: the Sounds Lyrical Project. The new piece - a reflection on memory and the passing of time - was performed by the Sounds Lyrical Ensemble with Emily Smith (soprano) and David Pisaro (tenor) directed by Tim Brooks. 'Amazing' said one enthusiastic listener! (6.9.14)
The Aspen Festival (Colorado) is one of the leading summer festivals in the USA - this year David Lancaster's Vertigo string quartet will be included in the programme - full details of date, performers and venue to follow.
Sounds Lyrical is a group of poets and composers who work together to find new audiences for contemporary poetry and music. On 15th June they included two songs by David Lancaster - Motion and Bells - as part of Bridlington's Poetry Festival, expertly performed by David Pisaro (tenor) and Tim Brooks (piano). Watch out for future Sounds Lyrical events at Ilkley Literature Festival in the autumn and a series of performances at City Screen in York.
In a fabulous concert given as part of York's Festival of Ideas 2014, The 24 chamber choir directed by Robert Hollingworth presented a vivid and dramatic reading ofApocalypse, a large-scale work for unaccompanied chorus which depicts the last fifteen days of the world as foretold in the city's medieval stained glass. If you missed it - it really is the end of the world! (16.6.14)
Six Downie Nocturnes for viola and piano received a sensitive performance from Jess Douglas and Mark Hutchinson at YoCoCo (York Composers Collective) event on 5th June, in the Jack Lyons Concert Hall.
The final installation in the Vestiges of Spirituality series took place at the 20:21 gallery in Scunthorpe in mid-May, as part of the Museums at Night programme. The former church proved to be an atmospheric setting for what has proved to be an amazing experience.
Good to hear world premieres, of course, but also great when pieces composed a while ago make a welcome return: Echoes from a Phantom City- for flute, viola and harp - was brought back to life by La Mer Ensemble who gave a detailed performance on 3rd May 2014. Hoping I don't have to wait so long before the next performance!
Vertigo (for string quartet) recieved a performance in Hong Kong thanks to the AMGA ensemble who included it in their programme at the Shatin Town Hall Cultural Centre on 25th April.
Big thanks to Sam Corkin (sax) and Tim End (piano) who gave a stylish and authoritative premiere of Sciamachy on 5th April, as part of York's fabulous Late Music series.
New performance dates have been added, including a performance of Vertigo in Hong Kong in April and the long-awaited premiere of a major choral work Apocalypse, which tells of the end of the world as depicted in York's medieval stained glass.
The CD featuring music by David Power and myself for the amazing Vestiges installation is now on sale - find it on Amazon!
Happy New Year! There are lots of exciting plans for 2014 including new pieces for saxophone, chorus and instrumental ensembles along with some welcome revivals of my existing pieces including Echoes from a Phantom Citywhich I composed in 1986! Keep a lookout here for more information and details of performance dates. (6.1.14)
Having a new orchestral piece premiered by a professional orchestra is such a wonderful experience, so many thanks to the Orchestra of Opera North and Justin Doyle (deputising for Elgar Howarth) for a blistering performance ofStrata at the Howard Assembly Rooms in Leeds. It will take me a while to come back down to earth! (29.11.13)
The audience who heard the Delta Sax Quartetat York St John University enjoyed a read treat! Thanks for an wonderful performance of my Swan, described as 'the closest you can get to rock and roll'! And great to be programmed with Arvo Part, Philip Glass, Steve Reich and David Bowie! (22.11.13)
Bravo to the Manchester Chamber Choir who gave the first performance of Hushand an atmospheric reading of Fallen tonight, under the direction of Neil Ferris. Another fantastic evening at York's Late Music series. (5.10.13)
Jenni Cohen gave a fabulous, sensitive performance of Long After Tonight is All Overat the University of York Postgraduate Conference today. (It's my new piece for solo flute - not the Northern Soul classic!) 2.10.13
Did I mention that my new orchestral piece Strata is going to be performed by the Orchestra of Opera North under Elgar Howarth on 29th November? So excited - details to follow. (17.9.13)
Good to hear my name and some of my music on Radio 3 this morning. Quite a surprise! (11.9.13)
Looking forward to the premiere of the new Six Downie Nocturnesfor viola and piano played by Rosalind Ventris and Lara Dodds-Eden. Come along to Late Music on Saturday (4.5.13) to hear them and to hear Peter Byrom-Smith and I give a pre-concert talk. (30.4.13)
Sounds Lyrical is promoting a first concert tomorrow night (8.3.13) at York St John University. Don't miss this unique collaboration between composers and poets; the concert will include my Memory of PlaceandThree Songs of Peril performed by Benjamin Lindley and Josephine Peach.
Enjoyed working with Juice Vocal Trio on Tuesday on my new piece Oftentimes - now looking forward to hearing the finished work in June!
Just had a sneak preview of the the new recording of Hollyby James Stretton and Iain Jackson. They will be giving over twenty performances over the next few months, all around the UK. (14.10.12)
Looking forward to meeting up again with 'Vox Aurum' who will be performing Fallen along with music by Liam Walsh and Richard Allain at York St John University this Friday. Watch out for details of a composers' workshop day run by this choir in conjunction with YSJU next spring. (18.9.12)
Mosquito successfully received its first performance, given by the stylish quintet Souza Winds at York's Late Music series last Saturday. (4.9.12.)
City of Kings was broadcast today on BBC Radio York , following it's successful premiere last week. Thanks to Shepherd Group and Railway Institute bands! (27.8.12.)
David is featured as 'this week's composer' on the Late Music blog. (8.8.12.)
David will be interviewed on BBC Radio York on Monday 13 August to talk about his new piece City of Kings for the York 800 celebrations.
Song Now - a new compilation of 21st century British song - including Memory of Place - has been released on the Meridian label by Paul Carey Jones (baritone) and Ian Ryan (piano). (4.8.12.)